The Master of street painting uses the street as a canvas. If one looks of the right point of view, its three-dimensional painting becomes the perfect illusion.
"It gets thrilling when the observer runs into the picture." Edgar about the real intention of his work.
He offers his audience a scenery, which challenges to proceed. The spectator turns into the protagonist and creative element of the scene offered him.
Could you tell us when and why you start the work of 3-D street painting?
To be honest - my first contact with three dimensional street painting was an inquiry from a client. He asked me to paint a car, so I did.
And that was the first time too I ever heard of Julian Beever. I saw his paintings and was very impressed by the extraordinary and fresh ideas he brought into
street painting. But Kurt Wenner was the first guy who used anamorphic illusion for street paintings. His skill and drawing technique is perfect always look like a
renaissance master painting.